Play Along Piano

Tags

Baroque

Lost Woods (Piano Fugue)

joyce005

0:40	Est. Play Time
51	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		14	0	0	5	97%
		15	1	0	3	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		14	0	0	5	97%
		15	1	0	3	94%

HWV1A2N28 - Ob dein Mund wie Plutons Rachen

edward.maurath

5:23	Est. Play Time
49	Measures
	1,182Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
Cembalo Continuo	15	20	4	6	77%
	20	2	4	3	89%
Oboe 2	15	0	3	5	89%
Viola	15	0	0	3	80%
Violin 1	19	0	1	6	80%
Violoncello Continuo	15	0	1	3	80%
Violone Continuo	15	0	1	3	80%
Violin 2	18	0	2	5	77%
Tenor as Fernando	15	0	4	8	55%

Canon in D

modulusshift

1:52	Est. Play Time
57	Measures
	1,998Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	1	0	2	100%
Violoncello	6	0	0	1	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	1	0	2	100%
Violoncello	6	0	0	1	100%
Violin	21	0	2	6	96%
	21	0	2	6	93%
	21	0	2	6	89%

Canon Pipe Organ

Classical Music Central

3:46	Est. Play Time
53	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
8' Clarinet	17	12	0	6	94%
	19	24	2	6	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
8' Clarinet	17	12	0	6	94%
	19	24	2	6	100%
8' Diapason	19	24	2	6	100%
	17	12	0	6	94%
16' Diapason	7	0	0	1	85%
16' String	6	0	0	1	85%
8' Crescendo	14	5	2	5	28%
	14	2	1	4	25%

HWV19A3N22 - Rodelinda, "Mio caro bene!"

edward.maurath

5:29	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
Violoncello Continuo	17	2	1	3	86%
Violins	15	0	2	8	73%
Rodelinda	13	0	3	5	68%
Contrabasses	14	0	0	3	60%
Violincello Continuo	14	0	0	3	60%
Violas	13	0	2	5	55%
Bassoon Continuo	14	0	0	3	15%
Oboe	10	0	0	6	14%

Pachelbel Canon

IsxnenToby

1:54	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino	21	2	0	7	93%
Arpa	8	7	0	3	79%
View all 5 Parts

	Unique Notes	Unique Chords	Rhythmic Complexity	Percent Played
Violino	21	2	7	93%
Arpa	8	7	3	79%
	6	0	2	93%
Vibrafono	18	5	5	82%
Clarinetto	22	0	5	72%

Frescobaldi: Canzon dopo l'Epistola (La Messa della Domenica) (1635)

SpaceGuru5

3:07	Est. Play Time
59	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	19	6	9	87%
	21	6	8	77%
	5	0	2	10%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	19	6	9	87%
	21	6	8	77%
	5	0	2	10%

Frescobaldi: "Recercar con obligo di cantare la quinta parte senza toccarla" (1635)

SpaceGuru5

4:37	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	15	0	2	6	88%
	6	2	0	1	5%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	15	0	2	6	88%
	6	2	0	1	5%
	19	0	5	6	82%
	6	2	0	1	5%
Tenor	4	0	0	4	42%

"Scepter und Kron," an aria from Handel's first Opera, "Almira."

edward.maurath

4:36	Est. Play Time
46	Measures
	1,771Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso (Continuo)	19	0	5	6	100%
Violoncello (Continuo)	19	0	5	6	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso (Continuo)	19	0	5	6	100%
Violoncello (Continuo)	19	0	5	6	100%
Cembalo (Continuo)	21	45	5	7	87%
	24	36	4	7	87%
Harp (Continuo)	18	33	3	6	80%
	18	24	3	6	74%
Contrabassi (Continuo)	13	0	2	5	72%
Violini	17	0	3	5	72%
Violoncelli (Continuo)	13	0	2	5	72%
Osman	16	0	5	6	39%
Bassoon (Continuo)	13	0	2	5	37%
	13	0	2	5	37%
Oboe	12	0	2	5	37%
	12	0	1	5	37%
Violas	9	0	1	4	20%
Consalvo	8	0	0	2	11%

"Non disperar, chi sa?" from HWV 17

edward.maurath

0:01	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	24	12	6	6	98%
	23	4	6	5	98%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	24	12	6	6	98%
	23	4	6	5	98%
Harpsichord	24	10	7	6	98%
	23	5	7	5	98%
Continuo	23	0	6	5	98%
Cleopatra	16	0	5	5	72%
Violini	16	0	2	6	62%
Celli	17	0	1	3	56%
Violas	11	0	0	4	33%
Kontrebaß	13	0	0	2	21%

HWV17A3N19 - Recitative, "Quì Curio vincitor"

edward.maurath

2:44	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	17	0	7	5	100%
Harpsichord	10	9	3	5	46%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	17	0	7	5	100%
Harpsichord	10	9	3	5	46%
	19	26	7	5	51%
Cesare	12	0	4	5	45%
Harp	17	20	6	6	42%
	15	16	5	5	44%
Sesto	9	0	4	3	22%
Cornelia	11	0	3	3	18%
Nireno	7	0	0	3	14%
Cleopatra	7	0	2	4	10%
Lute	5	1	1	2	4%
	12	3	5	2	6%

"Caro Amor" from "Il Pastor Fido," HWV 8, (1733)

edward.maurath

1:45	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	0	4	100%
Flute	13	0	1	5	95%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	0	4	100%
Flute	13	0	1	5	95%
	13	0	1	5	95%
Contrabassi (Continuo)	13	0	0	3	95%
Viole 1	13	0	1	5	95%
Viole 2	13	0	1	5	95%
Violini 1	13	0	1	5	95%
Violini 2	13	0	1	5	95%
Violoncelli (Continuo)	13	0	0	3	95%
Cembalo (Continuo)	21	41	1	5	78%
	16	15	0	4	38%
Soprano as Mirtillo	9	0	0	5	44%

HWV56N21 - His yolk is easy and his burthen is light

edward.maurath

2:28	Est. Play Time
51	Measures
	1,522Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	90	5	5	100%
	19	29	6	5	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	90	5	5	100%
	19	29	6	5	100%
Harpsichord	4	3	0	3	4%
	23	2	6	5	100%
Cello	23	0	6	5	100%
Kontrebaß	23	0	6	5	100%
Soprano	17	0	5	6	86%
Basso	13	0	2	6	80%
Tenore	13	0	4	6	78%
Viola	17	1	3	5	78%
Violin I	21	1	5	6	78%
Violin II	20	1	5	6	78%
Alto	11	0	2	6	73%